Otto Vowinkel

Guitar maker Amsterdam

concert model

Nina Fourie Gouws

This is Nina Fourie Gouws, AKA Nina_Guitar. I wrote about her earlier.
Nina is a South-African guitarist. Active as a concert player as well as a guitar lecturer at Stellenbosch Konservatorium where she teaches pre-undergraduate and undergraduate practical music studies, accompaniment, repertoire studies and teaching methodology.

Nina plays a cedar top concert guitar with, as you can see in the picture above, a beautiful back.

Nina is very active on Instagram where I found all photos in this post – taken by Marnhe Grové. Among other things, she uses Instagram to keep herself motivated and to share her ideas about practising .

Last year she challenged herself with a so-called # 100daysofpractice in which she posted a video of her progress every day. This year she is doing something similar but reduced the challenge to # 40daysofpractice. Below you can watch day 32: a short video from Asturias, recorded by candlelight due to a power outage.

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Day 32 of #40daysofpractice . We are currently experiencing rolling blackouts (power cuts) throughout South Africa and as a result I lost the footage I recorded earlier today. As you can imagine my frustration levels are rather high BUT a promise is a promise, so here is a short practice clip of Asturias by candlelight recorded with my old iPhone 5 🤦🏻‍♀️ . Tomorrow the sound and footage will be back to normal. Have a great Sunday everyone and thank you for listening! ✨ . 🕯️Piece: Asturias from Suite Española (Op. 47) for piano by Albéniz. Guitar transcription by Segovia with revisions by myself🕯️ . #classicalguitar #guitar #accousticguitar #Spain #albeniz #strings #musiciansofinstagram #asturias #femaleguitarist #classicalmusic #womanguitarist #classicalmusicians #electricguitar #guitargirl #fingerstyle #guitarstagram #classicalguitarist #pickariff #guitarlicks #musician #instaguitar #guitarsarebetter #guitarsdaily #guitarra #lickwars #riffwars #instaguitarist #loadshedding #candles

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Keep it up Nina, only 8 more days to go!

José Antonio López

This José Antonio López, a classical guitarist from Puerto Rico. Every year he travels through Europe, accompanying his students from the Universidad de Puerto Rico where he teaches at the Department of Humanities. Last year he paid me a visit.

This year he came to collect his guitar and to celebrate we went out for dinner. José Antonio is very active man. Performing, teaching, composing and traveling. He does it all and all with great dedication.

Check out his instagram account where he posted a lot of pictures and video’s of his new instrument: a concert guitar with maple back and sides and a spruce top. I herewith forward one which shows the beautiful bear claw spruce.

Bear claw _Spruce Guitar

A Maple Guitar for Guitar Salon International

Otto Vowinkel_Andy Lee_ Guitar Salon International

This is Andy Lee from Guitar Salon International. Andy attended the Frankfurter Messe where producers of instruments and accessories meet their suppliers and dealers. Because Andy came all the way from Santa Monica – California, he decided to combine Frankurt with a visit to Amsterdam where we had dinner together in one of my favorite restaurants: Hotel de Goudfazant.

  • Guitar_Salon_International_Otto_Vowinkel_Maple_Spruce_Detail
  • Guitar_Salon_International_Otto_Vowinkel Maple Spruce

I recently sent a maple concert guitar to GSI, with a beautiful bearclaw spruce top, as you can see in the pictures above. The guitar was sold almost immediately, which is good for both GSI and me, but a bit unfortunate for Irina Kulikova. She was planning to record a video with it, as she announces in the instagram post.

I also visited the Frankfurter Messe, just like last year when the video above was made, a short interview with Andy’s GSI colleagues, John Paul Trotter and David Collet. As you can see, already then I talk about how satisfied I am with the use of maple.

The interview above about the cooperation between GSI and me, is part of a longer reportage about GSI visiting the Frankfurter Messe in 2018. You can view this reportage here in full.

Tiana Taya

This is Tiana Taya, a Serbian guitarist living in Barcelona, Spain. She tagged me on Facebook, posting a recording of Se Ela Perguntar by the Brazilian composer Dilermando Reis. I think she plays it beautifully and asked her if I could share the video which I could, but for some reasons I couldn’t share it on my website. But then guitarist Ozan Saritepe found the video on the YouTube Channel of RM Acoustics, so here it is.

My concert model with maple back and sides played by Tiana in the video, is getting more and more populair now. Soon I will post about the one which just arrived at Guitar Salon International. Irina Kulikova will make a recording with it to which I am looking forward very much. But first Tiana Taya, on top of the mountain, playing Dilermando Reis.

Noppakorn Auesirinucroch

Noppakorn and friends

This is Noppakorn Auesirinucroch (left) with three of his fellow students. Noppakorn studies with Enno Voorhorst at the Royal Conservatory in Den Haag and came to the workshop to try a guitar. His friends, two classical guitar players and a classical saxofoon player, accompanied him.

Noppakorn wants a maple – bearclaw spruce guitar. Maple guitars are getting more and more populair now. Soon there will be one available at GSI about which I will post later on.

Especially for the blog Noppakorn played a fragment of l’Aube du dernier jour by Francis Kleynjans. The brand new guitar in the video is a concert model with a spruce top and rosewood back and sides, an instrument waiting to be sent to its new owner, which explains the protection underneath the bridge.

Ernesto Snajer and Luis Salinas in Notas de Paso

luis salina _ernesto snajer

These are the Argentian guitarists Luis Salinas and Ernesto Snajer in Notas de Paso, Ernesto’s music talk show in which he invites his collegues and friends to discuss musical style, performing, arranging ,instruments and everything else that is or has been important in their professional career.

The program was never meant to be didactic but a lot can be learned by listening to Ernesto’s guests. Those who don’t understand a word of the Castellano, can simply enjoy the music played by these top of the bill musicians.

Listen and watch
Milonga Sentimental by Sebastián Piana (fragments) – 4:17 – improvisations at 6:10 and 8:10.
How insensitive by Carlos Jobim – 10:24.
Zamba en Mi by Master Salinas himself – 17:19.

For this occasion Luis Salinas plays the cutaway (concert model) which I made especially for Ernesto and about which I wrote earlier.